The Thin Red Line' is the third film to have been directed by Terence Malick. In this book, Micha...

Cinema is often perceived as a metropolitan medium - an entertainment product of the big city and...

From the 1950s to the 1980s the Children's Film Foundation made films for Saturday morning cinema...

The first edition of 'Women in Film Noir' (1978) assembled a group of scholars and critics commit...

Cinema and Colour: The Saturated Image is a major new critical study of the use of colour in cine...

In 'To Be or Not to Be' (1942), Ernest Lubitsch brought his legendary comic touch to the most unp...

Leading international scholars consider the films and legacy of Howard Hawks. Diverse contributio...

At the beginning of the 21st century, the US film industry had overtaken aeronautics and car indu...

Why are big budget films typically made across an array of seemingly dissociated sites?Supply Cha...

Eric Ames draws on original archival research to provide fresh perspectives on Werner Herzog's br...

The past four decades have seen the Spanish film industry rise from isolation in the 1970s to int...

Julie Christie's prickly relationship with stardom is legendary. This fascinating text provides a...

Part of a vanguard of Spanish talent claiming success at home and in Hollywood, Penélope Cruz is ...

Sixty years after its release, Singin' in the Rain (1951) remains one of the bestloved films ever...

Britain emerged from war a changed country, facing new social, industrial and cultural challenges...

Tall, dark and handsome, with a manufactured name and a scrupulously designed professional image,...

In this work, Joan Mellen analyses 'In the Realm of the Senses', the controversial film which cau...

'Norman Stanley Fletcher, you have pleaded guilty to the charges brought by this court and it is ...