Hailed by critics during the 1980s as the decade's 'Great American Playwright', Sam Shepard conti...

'An ear for reproducing everyday language has long been David Mamet's hallmark and he has now em...

Based on the latest research from the fields of neuroscience and mind-body psychology, Acting Wit...

What is ethics and what has it got to do with theatre? Drawing on both theoretical material and p...

'How do you want to live here? I mean we could come and go and lead separate lives. Or we could r...

There's nae power on earth can crush the menwho can sing on a day like this.A powerful re-imagini...

I don't remember exactly when my formerly charming, humorous, omnipotent mother, who would swim a...

In this textbook for performers, the position of a Swing-an Understudy for the Ensemble-on Broadw...

If violence is a terrible thing, why do we watch it? Nevitt explores the use of violence in theat...

Intended for actors, directors, teachers and researchers, this book offers an exceptionally clear...

Shortlisted for the Theatre Book Prize 2020How do you decide what stories an audience should hear...

Everyone knows that Bertolt Brecht was one of the great 20th-century innovators in theatre - the ...

In 1983 Arthur Miller was invited to direct Death of a Salesman at the Beijing People's Theatre, ...

Joe Penhall's screenplay for the film of Cormac McCarthy's post-apocalyptic novel provides a grip...

Brian Friel is Ireland's foremost living playwright, whose work spans fifty years and has won num...

Brecht on Performance: Messingkauf and Modelbooks presents a selection of Brecht's principal writ...

The Actor's Survival Guide: How to Make Your Way in Hollywood is a handbook and essential guide t...